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AUFERSTANDEN AUS RUINEN

RISEN FROM RUINS

SHORTFILM - FICTION // 20:00 min. [IN POST-PRODUCTION]

“The 1990s: two young men, Andreas, from the former GDR, and Alexey, from the former Soviet Union, try to build a new life on the ruins of their old home countries by selling German cars to the Eastern Bloc.” 

“Risen from the Ruins” is the new short fiction film by producer and director Harry Besel. 
 

Funded by "Hessen Film & Medien" and "HAB - Hessen Abschlussförderung", Risen from Ruins was successfully completed on July 30, 2023.

 

“Risen from the Ruins” is currently in post-production and is expected to be completed in March 2025.
 

“Risen from Ruins” is a stand-alone short fiction film but also serves as a proof-of-concept for a feature-length film. With Risen from Ruins, Harry Besel wants to showcase that the underlying material and themes of the film are perfect suited for a feature-length movie or a series concept.

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 THE CREW 

DIRECTOR I WRITER I PRODUCER

Harry Besel

PRODUCTION ASSISTANT
Victoria Koberstein

 

1st AD

Janis Schmidt

 

DIRECTOR OF PHOTOGRAPHY

Ferdinand Kowalke

 

1st AC

Till Krüger

 

SOUND ENGINEER

Friedrich Haustein

 

GAFFER

Daniel Hellwig

GRIP

Max Muselmann
Hannes Döring

 

COSTUME I MAKE-UP

Julia Gens

Michelle Haupt

STAGE DESIGN I ART DIRECTION

Charlotte Ella Bouchon
Linnea Kuht

Car Rig Operator

Philipp Knopf

 

SETRUNNER

Alisa Siebert

Zenon Kristen

STILL PHOTOGRAPHER
Michelle Haupt
Max Muselmann

 THE CAST 

Johann-Christof Laubisch
as Andreas Diehlmann

Nikita Petrosian

as Alexey Danilenko

Astrid Meier
as Doreen Diehlmann

Sophie Paasch

as Victoria Diehlmann

Andrej Agranovski
as Oleg the Car Dealer

Alexander Waigel

as Eugen - Border Official

Alexej Boris
as Nikolai - Border Official

Wolfgang Preussger

as Bundeswehr Officer

Lukas Umlauft
as West German Businessman
J

PRODUCED BY

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FUNDED BY

SUPPORTED BY

FILMSTILLS

BEHIND THE SCENES

DIRECTORS STATEMENT

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With “Risen from the Ruins”, I am exploring the questions:  What does a system, which has long been firmly in the hands of big players, do to outsiders who want to participate?
And how fluid is the transition from being a victim to becoming a perpetrator?

Harry Besel - Director I Writer I Producer

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